Alma Tadema
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8 January 1836 – 25 June 1912. Most renowned painters.

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Francisco de Goya
Portrait of Francisco Cabarres

ID: 78502

Francisco de Goya Portrait of Francisco Cabarres
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Francisco de Goya Portrait of Francisco Cabarres


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Francisco de Goya

Spanish 1746-1828 Francisco de Goya Locations was an Aragonese Spanish painter and printmaker. Goya was a court painter to the Spanish Crown and a chronicler of history. He has been regarded both as the last of the Old Masters and as the first of the moderns. The subversive and subjective element in his art, as well as his bold handling of paint, provided a model for the work of later generations of artists, notably Manet and Picasso. Goya married Bayeu's sister Josefa in July 25, 1773. His marriage to Josefa (he nicknamed her "Pepa"), and Francisco Bayeu's membership of the Royal Academy of Fine Art (from the year 1765) helped him to procure work with the Royal Tapestry Workshop. There, over the course of five years, he designed some 42 patterns, many of which were used to decorate (and insulate) the bare stone walls of El Escorial and the Palacio Real de El Pardo, the newly built residences of the Spanish monarchs. This brought his artistic talents to the attention of the Spanish monarchs who later would give him access to the royal court. He also painted a canvas for the altar of the Church of San Francisco El Grande, which led to his appointment as a member of the Royal Academy of Fine Art. In 1783, the Count of Floridablanca, a favorite of King Carlos III, commissioned him to paint his portrait. He also became friends with Crown Prince Don Luis, and lived in his house. His circle of patrons grew to include the Duke and Duchess of Osuna, whom he painted, the King and other notable people of the kingdom. After the death of Charles III in 1788 and revolution in France in 1789, during the reign of Charles IV, Goya reached his peak of popularity with royalty.  Related Paintings of Francisco de Goya :. | Portrait of Jos Antonio | Portrait of Dona Isbel de Porcel | A Pilgrimage to San Isidro | The Family of Charles IV | Portrat des BartolomeSureda y Miserol |
Related Artists:
Pignoni, Simone
Italian, 1611-98 Italian painter and draughtsman. He is best known for his many pictures of voluptuous female nudes, which developed the morbidly sensual style of Francesco Furini. His Self-portrait (c. 1650; Florence, Uffizi), in which he depicts himself building up a rounded female form from a skeleton, conveys his fascination with the subject. He had an early education in Latin, followed by an apprenticeship in the workshop of the bookbinder Zanobi Pignoni, a close relative. Domenico Passignano, who frequented the workshop, suggested that Pignoni be apprenticed to Fabrizio Boschi (1570-1642), one of his own former pupils. Pignoni began to study under Boschi
Nicolas Froment
French Early Renaissance Painter, ca.1430-1485
Achille-Etna Michallon
Paris 1796-1822 was a French painter. Michallon was the son of the sculptor Claude Michallon. He studied under Jacques-Louis David and Pierre-Henri de Valenciennes. In 1817, Michallon won the inaugural Prix de Rome for landscape painting. He travelled to Italy in 1818 and remained there for over two years. This trip had a profound influence on his work. Before he had much time to develop what he had learned however, he died at the age of 26 of pneumonia, a tragedy which cut short the life of a talented and well respected artist who could have gone on to win lasting fame. Though it is often disputed, it is thought that at one time, Corot was his pupil.






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